Apr 15,2026 Published Apr 15,2026 Updated

【TICKET OPEN】KEIICHIRO SHIBUYA ANDROID OPERA MIRROR-Deconstruction and Rebirth-

share

KEIICHIRO SHIBUYA ANDROID OPERA MIRROR-Deconstruction and Rebirth-

Ticket sales for 'KEIICHIRO SHIBUYA ANDROID OPERA MIRROR-Deconstruction and Rebirth-' will begin on Tickets in Japan!

Please see here for the schedule and ticket details for 'KEIICHIRO SHIBUYA ANDROID OPERA MIRROR-Deconstruction and Rebirth-'.


KEIICHIRO SHIBUYA ANDROID OPERA MIRROR-Deconstruction and Rebirth-

■Performance Information

Performance Title

KEIICHIRO SHIBUYA ANDROID OPERA MIRROR-Deconstruction and Rebirth-

Date

Saturday, May 16, 2026
※Doors open 1:00 PM / Performance starts 2:00 PM

Region

Osaka

Venue

Festival Hall

Available Seats & Pricing

BOX Seats

18,000 JPY

SS Seats

15,000 JPY

S Seats

12,000 JPY

●Ticket Purchase

■Performance Content

Android Maria ©ATAK Photo: Kenshu Shintsubo
Android Maria ©ATAK Photo: Kenshu Shintsubo

How far can humans and machines truly connect?

An Android Opera that depicts the boundaries between life and death, creating a sensation in Dubai, Paris, and Tokyo

This work features an AI-equipped Android that sings, accompanied by a live orchestra, piano, electronic sounds, visuals, and Shomyo—Buddhist chanting with 1,200 years of history. It dissolves the very boundaries and conflicts between human and technology, East and West, tradition and innovation, life and death, presenting a new model of harmony.

Following performances at Expo 2020 Dubai (2022), Théâtre du Châtelet in Paris (2023), and Suntory Hall in Tokyo in November 2025, the latest Android Opera work "MIRROR"—Deconstruction and Rebirth—finally makes its debut in Osaka.

Photo: Kenshu Shintsubo
Photo: Kenshu Shintsubo

Composed and produced by Keiichiro Shibuya, an internationally active musician whose work spans cutting-edge electronic music, piano solos, opera, film scores, and sound installations.

At the center of the stage appears "Android Maria," modeled after Shibuya's late wife, Maria. Keiichiro Shibuya (piano and electronics), the Osaka Philharmonic Orchestra (guest concertmaster: Tatsuki Narita), and Koyasan Shomyo resonate together, deeply stirring the relationship between human and machine, life and death, under the theme of "deconstruction and rebirth."

Additionally, visuals by Justine Emard, the visual artist who served as artistic director for the France Pavilion at Expo 2025 Osaka, Kansai, will be projected on large screens, visually expressing the world of "MIRROR."

Photo: Naoki Takehisa
Photo: Naoki Takehisa

Since losing his beloved wife in 2008, Shibuya's creative work has evolved from the piano solo piece "for maria" (2008), to the human-absent Vocaloid Opera "THE END" (2012) starring Hatsune Miku, and then to the "Android Opera" series that began in 2018, continuously questioning the boundaries between life and death. This was not merely the sublimation of grief, but also "an act of seeking to find life within death and to perceive the presence of death within life." That trajectory crystallizes like a prayer and circulates like reincarnation—"MIRROR"—Deconstruction and Rebirth—represents the culmination of this journey.